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56

ZEB

annual report 2014

called user-forum. This opens up a channel

of communications between operators and

users, and the flow of information goes both

ways. An example of the much needed space

for negotiation which this opens up, and how

it’s used to mitigate the situation by allowing

for a leveling of expectations, is how the

aforementioned lighting issues was treated.

Acknowledging concerns of users regarding

unwanted blackouts, the rather ambitious 7

minute auto-off setting was lifted and extended

to 45 minutes for as long as the problem was

being worked out. As one staffer said:

“It’s very important for us that it becomes what

we expected, but not at the expense of the

working conditions of our employees.” (i3)

and “Then we can’t just look at the energy

calculations in that particular phase, because

it’s more important that people can actually

work.” (i4)

The important role of these mediators in this

setting can hardly be overstated, and the

success of the project must at least in part be

owed to these people. As a matter of fact, one

of them even worked on this “full time”, even

though it was just part of the job description.

Expectations are important, and often

problems arise simply because the

expectations are sprawling within your user

group. When certain aspects of building

use are different than what one’s used to,

antipathies can arise. This obviously calls

for improving those conditions which are

unappreciated, but a balance can also be

struck by seeking an understanding on part

of the users, enrolling them as it were, in

the overall project goals. But, as already

mentioned, in the case of PH Kjørbo there

are also a few gives for every take. Holistic

thinking isn’t preserved only for the planning

phases, it enters into the experience phase of

the building as well:

“When it comes to the noise issue, I would

like to say that there is another thing about

noise. Because one issue is the noise made

Powerhouse Kjørbo, example from the Interior. Photo: Chris Aadland

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Powerhouse Kjørbo, interiørbilde. Foto: Chris Aadland